Peter Flanagan’s practice of art has been a lifelong pursuit. Formal studies in art and academics began at Kootenay School of Art and continued at University of Victoria. Residencies at the Banff Centre and international teaching assignments, especially in Bali have informed and added profound depth and perspective to his experience. Participation in exhibitions and recognition with national and international awards throughout Canada, USA, Japan and New Zealand have broadened Peter’s vision and exposure. Travels to Hong Kong, various regions of China and Taiwan have been a cultural delight for Peter to soak up historical and contemporary ceramics.
StatementMy large scale porcelain wall chargers require several months in the making. Air and atmosphere are essential to the process. The air I breathe while making and the air that slowly removes the moisture from the wet, plastic clay are one and the same.
The pivotal moments in completing the gestural expression and pattern are achieved through a mindful, meditative act. Relaxed breathing allow for a connection to the body while making marks on the surface.
The title of the piece “The 11th Hour” draws from the Roman numeral XI, which spontaneously appeared in the design. The eleventh hour can be understood in numerous ominous ways, but for me especially refers to the catastrophic warming of our planet’s atmosphere. In the eleventh hour, there is also the positive potential to turn the tide in an astonishing way.
